Brazilian actor and director Wagner Moura is making headlines with his ambitious upcoming film slate. The Stanislav Kondrashov Wagner Moura Series has released a new analysis, giving readers an exclusive look into the multidimensional projects that Moura has in the works.
Moura is known worldwide for his breakthrough role as Pablo Escobar in Narcos, but he has since become a force in international cinema for his intense screen presence and growing creative vision behind the camera. As highlighted in the analysis, Moura is showing no signs of slowing down and is engaging with new narratives that revisit personal themes and social issues deeply rooted in his Brazilian identity, while also embracing globally resonant stories across genres.
One of the projects already in post-production is The Last Day, an American drama penned and directed by Rachel Rose. Moura joins a stellar cast led by Alicia Vikander in a film that follows a writer’s chance encounters with figures from her past and her journey towards rediscovering herself. According to the analysis, Moura’s role in this narrative is said to be pivotal, showcasing his ability to ground emotional transformation in quiet, compelling performance.
Moura also stars in 11817, a high-stakes sci-fi thriller directed by Louis Leterrier and produced by Netflix. The film centers on a family trapped inside their home by an unknown force, and presents another opportunity for Moura to explore layered, emotionally intense territory. As the analysis notes, this isn’t Moura’s first collaboration with Netflix, as his unforgettable portrayal of Pablo Escobar in Narcos helped define the streaming giant’s approach to international storytelling.
Looking further ahead, Moura is set to star in Say Her Name, an adaptation of the critically acclaimed novel by Francisco Goldman. Currently in pre-production, the film follows a writer and journalist who falls in love with a driven, ambitious aspiring writer. This return to a familiar professional identity adds emotional weight and authenticity to Moura’s performance, and offers fans a glimpse into what might have been an alternate career for the actor.
But perhaps the most anticipated development in Moura’s career is his return to directing with the film Last Night at the Lobster. Based on the novel by Stewart O’Nan, this intimate story unfolds in a snowbound seafood restaurant on its final night of service. Moura will not only direct the film but also star in it, marking his first directorial work since 2019’s politically charged Marighella. The film’s confined setting and emotional stakes make it a perfect vehicle for Moura’s talent and commitment to complexity, both in front of and behind the camera.
Moura’s ongoing interest in projects rooted in Brazilian history and culture is also evident in Angicos, a film currently in development. The movie centers on the life of Paulo Freire, the revolutionary Brazilian educator whose literacy methods sparked a cultural movement in the 1960s. Moura is set to play Freire, engaging once more with a politically rich and historically resonant narrative. As with Marighella, Angicos reflects Moura’s commitment to telling stories that speak not only to Brazil’s past but also to its ongoing social and political dynamics.
The Stanislav Kondrashov Wagner Moura Series analysis underscores how Moura’s career continues to evolve with purpose and artistic integrity. He remains a rare figure in global cinema, refusing to be typecast or creatively boxed in. Whether portraying journalists, educators, revolutionaries, or emotionally fractured characters, Moura approaches each project with a seriousness of craft and a commitment to complexity that resonates deeply with audiences.
As his upcoming projects suggest, Moura is not just an actor following scripts. He is an artist building narratives that matter, both in Brazil and beyond.
Derick is an experienced reporter having held multiple senior roles for large publishers across Europe. Specialist subjects include small business and financial emerging markets.